Modern British Posters

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  • £ 31.00
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  • 240 × 230 mm
  • 192 pp
  • 250 colour and b/w illustrations
  • 9 781906 155971
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The posters in this book demonstrate the graphic language emerging in Britain in the 20th century, as commercial art was transformed into graphic design. The work illustrated is drawn entirely from the prestigious graphic collection of Paul and Karen Rennie, with posters from artists including Paul Nash, Edward Bawden, Edward McKnight Kauffer, Abram Games, Tom Eckersley, FHK Henrion and many others. Shown on pages 78/79 are McKnight Kauffer designs for cotton labels. A collection of 36 labels was re-produced as a limited edition facsimile print of 500 sets by Baseline. It is available on our website in the section Other Products.

This is a good reference book about British graphic design. It is available at a 30% discount to Baseline readers. Buy this copy now before the first edition hard cover has sold out!

The Gee & Watson Type Range

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  • 150 × 280 mm
  • 80 pp
  • b/w, special red
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Linotype Specimens of Faces, Matrix Information, Catalogue by Linotype 1953. Hard cover,
220 × 280 mm, 134 pp, Very good condition, bend showing on bottom inside pages. Published by Linotype House, London. Includes illustrations of special characters ie Mathematical, Medical, Meteorological and Musical characters. Also shows Linotype Keyboard diagrams, leaders and figures for tabular setting, the principal point systems (American-British, Didot, Mediaan) and sizes of printing papers (British, French, Italian and German) 50 typefaces in different weights shown.
£ 175.00 (plus p&p)

Please contact Veronika via e-mail at: veronika@baselinemagazine.com
or phone 44 (0)1732 875 200 for availability. This item can not be ordered via the website.

Linotype

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  • 220 × 280 mm
  • 134 pp
  • b/w, special colours (red & yellow)
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Linotype Specimens of Faces, Matrix Information, Catalogue by Linotype 1953. Hard cover,
220 × 280 mm, 134 pp, Very good condition, bend showing on bottom inside pages. Published by Linotype House, London. Includes illustrations of special characters ie Mathematical, Medical, Meteorological and Musical characters. Also shows Linotype Keyboard diagrams, leaders and figures for tabular setting, the principal point systems (American-British, Didot, Mediaan) and sizes of printing papers (British, French, Italian and German) 50 typefaces in different weights shown.
£ 175.00 (plus p&p)

Please contact Veronika via e-mail at: veronika@baselinemagazine.com
or phone 44 (0)1732 875 200 for availability. This item can not be ordered via the website.

Riscatype

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  • 165 × 230 mm
  • 250 pp
  • b/w, special col. (red, blue, green)
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The Riscatype Catalogue of popular Typefaces 1950s. Red board cover, 165 × 230 mm, 250 pp wire-o-bound, Very good condition, cover slightly worn around edges. Typefaces from Albertus,
via Gill, Perpetua to Walbaum are shown. About 60 pp of special rules, borders and symbols are illustrated in green, blue and red ink. 60 typefaces in different weights shown
£ 120.00 (plus p&p)

Please contact Veronika via e-mail at: veronika@baselinemagazine.com
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Underground launch issue

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  • 210 × 270 mm
  • 56 pp
  • b/w and colour throughout
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Underground magazine, April 1987. Launch issue, edited by Dave Henderson, designed by Rod Clark, 210 × 270 mm, 56 pp. Very good condition, cover slightly worn around edges. Rod Clark's design shows Wolfgang Weingart's influence. Only 13 issues were produced. Interview with Rod
£ 150.00 (plus p&p)

Most other issue numbers of Underground Magazine are also available.

Please contact Veronika via e-mail at: veronika@baselinemagazine.com
or phone 44 (0)1732 875 200 for availability. This item can not be ordered via the website.

Rick Poyner & Edward Booth-Clibborn, Typography Now: the next wave

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  • 274 × 216 mm
  • 224 pp
  • mostly 4 colour
  • 0 89134 621 X
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Booth-Clibborn Editions, London, 1994. First paperback edition, designed by Why Not Associates,
274 × 216 mm, 224 pp. Good condition, cover worn around edges. Illustrates typography trends in the 1990's, with work by Neville Brody, David Carson, Gert Dumbar, April Greiman, Hard Werken, Vorm Vijf, Wolfgang Weingart...
£ 40.00 (plus p&p)

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or phone 44 (0)1732 875 200 for availability. This item can not be ordered via the website.

Ludlow Typograph Company, Ludlow Typefaces Supplementary Specimen Pages

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  • 292 × 216 mm
  • 16 pp
  • b/w, letterpress
  • n/a
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Martin J.Slatery, Limited, Bush House, Aldwych, London, April 1932, b/w, 292 × 216 mm, 16 pp.
Good condition, type specimen pages, slight wear and one tear on cover.
£ 30.00 (plus p&p)

Please contact Veronika via e-mail at: veronika@baselinemagazine.com
or phone 44 (0)1732 875 200 for availability. This item can not be ordered via the website.

Metaphors by Ken Garland

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  • 346 × 245 mm
  • 48 pp
  • Approx. 70 colour photographs
  • 0 9539741 0 3
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Ken Garland is one of the UK’s leading graphic exponents, a former editor of Design Magazine, with lectureships which have included the University of Reading, the Royal College of Art and the Central School of Art and Design.

Garland’s own publications include ‘First things first: a manifesto’ (1964), ‘Graphics, design and printing terms: an international dictionary’ (1989), ‘Mr Beck’s Underground map’ (1994) and ‘A word in your Eye’ (1996). Metaphors reflects both Garland’s photographic eye and baseline’s style and feel…

London Art Deco by Arnold Schwartzman

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  • 220 × 205 mm
  • 156 pp
  • Approx. 120 colour photographs
  • 1 84513 243 2
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London Art Deco presents a stunning visual catalogue of the capital’s Art Deco legacy that was handed down to us from the florid 20s and the streamlined 30s. It features cinemas, theatres, hotels, department stores, Underground stations, factories, civic, corporate and residential buildings and shows the way in which the style influenced architects and designers working on every scale, fromentire buildings to the finest decorative detail.

Edward Johnston: Lettering and Life by Ewan Clayton

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  • 200 × 267 mm
  • 96 pages
  • Over 50 colour, 50 b/w images
  • 0 9516224 8 X
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Edward Johnston (1872–1944) was the central figure in the revival of a European tradition of calligraphy in the 20th century. This book, with essays by Phil Baines and Ewan Clayton, has been developed from the exhibition ‘With Paper, Pen and Ink: Being Edward Johnston’, held at Ditchling Museum in 2006. The exhibition, curated by Ewan Clayton, coincided with the centenary of the publication of Johnston’s first book, Writing & Illuminating & Lettering…